Our AGM will be held in the break next rehearsal on the 14 November.
Presented will be last year’s AGM minutes, the Treasurer’s, President’s and Musical Director’s report. If there is any other business from members please let one of the committee know so it can be added to the agenda.
Please have your nominations ready for any of the positions or general committee as all positions will be declared vacant. If you have always wanted to contribute your energy and ideas to Squawkestra we’d love to have you involved.
Our Halloween soiree showcased the work of eight ensembles, several of which selected music on the “spooky” theme from the religious to the secular. It was also great to welcome several guests and Squawkestra alumni to our performance.
Listening to each soloist or ensemble was an opportunity to hear how much we are learning and improving. It is also an opportunity to give much positive feedback that is genuine and heartfelt. Each of us know how hard it is to find time to practise, to attend lessons and to get together with others to form an ensemble. Finally there is facing, and overcoming, stage nerves. But we did it!
It was a wonderful night with some memorable music-making.
Get ready for a spooky Halloween Soiree!
We’re making the most of our regular rehearsal falling on Halloween, by having a soiree where members and squawky friends are invited to perform for the group in solos, duos and small ensembles. Past Squawkestra members are especially welcome to return and have a play with us.
If you don’t want to play for the group, no problem, we will still be playing music as a group. No matter how terrifying the music may feel, be sure to bring your instrument.
It will be spooktacular!
This past Saturday saw our Composing Conversations workshop come to a glorious end as we performed our two new works alongside a number of highly acclaimed community orchestras at the inaugural VCO Project Gala event.
Mark Viggiani’s piece “Of Tulips and Dragons” won first place in the arrangement section of the competition. Nicholas Goulding’s piece “Overflow” was premiered with style and conviction. It was a true honour to be the orchestra who played the winning piece!
It’s hard to pick what we enjoyed most about participating in our Composing Conversations workshop series and the VCO Project. Perhaps it was it getting to know our composers, interpreting their music with Kat and Mark Shiell, the weekly rehearsals, our unorthodox untuned percussion (colourful plastic wheelie bins) or performing in the beautiful venue of Malvern Town Hall.
Or maybe it was the joy and quiet satisfaction where all our practising turned into confident and convincing playing, culminating in a triumphant performance.
Thank you to Kat, our conductor and fearless leader for inspiring us to take part in this project and for endless organisation – we really appreciate the opportunities you provide. Thank you to Nicholas and Mark who entrusted us with their music. Thank you to Jane for the beautiful green paper flowers. Had there been a prize for the smartest dressed orchestra, we would have won it thanks to Jane’s artistic skill. Thank you to Jeannie, Henry and Kath who provided the aforementioned wheelie bins.
And finally, thank you to all Squawkestrians who worked so hard and played their best creating the music magic.
Community music is a space that exists for people like us. It is a welcoming place where everyone can turn up and join in, learn something new and enjoy the results. Music teachers and conductors are like magicians waving wands around and allowing grown-ups to play instruments in the same room at the same time. It’s amazing, and who would have known that it was allowed, much less encouraged!
This Saturday 24th August our music-making leads to the Victorian Community Orchestra Gala Concert. The Victorian Community Orchestra Project is ambitious in its aims to create original works and arrangements for community orchestras to play in their concerts.
Patron Zoe Knighton sums up what this project is all about:
Playing music together is such an invigorating way of bringing a community together no matter how large or small. Ignited by the excitement of new music, this project is one that unites and celebrates the true riches that community music delivers.
The concert has prizes for the best original composition, best arrangement and a people’s choice award. We are excited about our works, Mark Viggiani’s arrangement of Bartok’s piano music ‘Of Tulips and Dragons’ and Nicholas Goulding’s ‘Overflow’.
Nicholas Goulding has composed for Squawkestra “Overflow”, an original work which we are proud to be premiering at the VCO Project Gala Concert.
Nicholas is a composer from Melbourne, Australia. Genres such as jazz, modern classical and dance music are included in his repertoire, whilst a passion for film scoring inspires a continued experimentation and discovery of new sounds. After studying Composition, Film-Scoring and Songwriting at Box Hill Institute of TAFE, he has scored numerous short films and he has been collaborating with other musicians on a variety of projects from the studio to the stage.
Mark Viggiani has composed for Squawkestra “Of Tulips and Dragons”, an arrangement of five pieces taken from Béla Bartók’s piano music, which we are proud to be premiering at the VCO Project Gala Concert.
He has been active as a composer since the early 1990s. Amongst numerous awards and prizes most recently Viggiani won the 2014 Melbourne Conservatory of Music / Melbourne Recital Centre award, for which the work Cleopatra was commissioned for Ensemble Liaison and Greta Bradman; and the 2012 Zavod Classical/Jazz Fusion Composition Award for John the Revelator. This work was composed for and premiered by the Mons Kinky Pinky Orchestra at the 2011 Ars Musica Festival in Mons, Belgium.
Most recently Viggiani completed his first music theatre work Seven Deadly Sins, in conjunction with Opera Victoria. Other recent commissions include a new work for the Song Company’s 2015 Michael Leunig program, One Last Tango, performed by Orchestra Victoria under Richard Mills, Lomax Sketches for the Tasmanian Symphony Orchestra, Aus Der Munitionsfabriken, which was premiered by Speak Percussion at the 2007 Big West Festival and a trio for the ensemble Syzygy.
Recognised as a more than capable classical guitarist himself, Viggiani has created a large body of music including solos, didactic works and mixed ensemble pieces. He released a CD of origional compositions The Rainmaker on Move Records to international critical acclaim, and has appeared at festivals including the Darwin International Guitar Festival, Brunswick Music Festival, and the Sydney Guitar Festival.
In 2013 Viggiani completed a Ph.D in Music Composition with at the University of Melbourne, during which time he received the Australian Postgraduate Award (APA, 2009-12). During his candidature he also undertook studies in Torino with Giulio Castagnoli and attended masterclasses at the Venice Biennale. More recently, he completed a residency at the Atlantic Centre for the Arts in Florida with composer Martin Bresnick.
In addition to his activities as a composer and performer, Viggiani has many years experience teaching guitar and music theory related subjects, at primary, secondary and tertiary levels. In 2017 he started the online publishing venture Trove Music, in order to disseminate his compositions and transcriptions for guitar.
We are halfway through our Composing Conversations Workshop Series! We have discussed with composers, patrons and conductors their inspirations, motivations and experiences, as well as honing our pieces to be premiered at the Victorian Community Orchestra Project Gala Concert on Saturday 24 August.
Extra rehearsals and guest appearances in the Composing Conversation Workshop Series have been made possible with the financial assistance of an Australia Post Workforce Community Grant. We thank Australia Post helping us be the best we can be for the VCOP Gala Concert.
Last rehearsal we played under the baton of Mark Shiell, our guest conductor. Mark has studied and conducted both in Australia and Internationally, and has worked with some of Australia’s most celebrated composers and performers. He shared with us his stories and experiences working with professional, student and community orchestras.
This week Mark will return to lead a sectional for wind & brass, along with Andrea Keeble, who will be leading the string sectional rehearsal. Andrea is a renowned violinist in a number of Melbourne ensembles, educator, composer and long-time friend to Squawkestra. We welcome them both back for another Composing Conversation.
Our Composing Conversation at last week’s workshop was with VCO Project founder Sally Burgess and patron Jenny Khafagi.
Sally Burgess is the Founder and the vision behind the VCO Project. Sally has a non music day job but a commitment and passion for community music and it’s participants. We heard about her vision for the VCO Project and the interest of promoting music, musicians and shepherding new sounds into the world – especially for community orchestras. We learnt how she she is making it happen with the help of some influential friends as well as the nitty-gritty of matchmaking composers with orchestras and sourcing music stands and percussion for the Gala concert!
Jenny Khafagi is a violinist and well known among Australia’s most respected orchestras, including Melbourne and Queensland Symphony Orchestras and ACO2 Collective (Australian Chamber Orchestra). As a full time career musician, Jenny is busy with performing, rehearsing and touring schedules as well as being active in supporting new music and community music and she is a highly regarded educator. We were especially lucky to have Jenny on hand to demonstrate to us new harmonics techniques the strings will use in Nick Goulding’s piece Overflow.